This is me and the awesome Gilad Amsalem fooling around with 9/8 at my home studio.
www.youtube.com/watch
*Waiving to Kobi Hagoel* Hope you are proud of your students!
www.youtube.com/watch
*Waiving to Kobi Hagoel* Hope you are proud of your students!
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Re: Funny Rehearsal
Fri, March 28, 2008 - 10:10 AMlooks like fun, because it IS fun!!!
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Re: Funny Rehearsal
Wed, April 2, 2008 - 12:17 AMI can't tell you how many times I've watched this video. I love it. Is that rhythm Karsilama? When are you posting another video? :) -
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Re: Funny Rehearsal
Wed, April 2, 2008 - 1:54 AMThank you!
The rhythm is not Karsilama. I believe there is a misunderstanding regarding Karsilama. Karsilama is a dance in 9/8 but not every 9/8 rhythm is Karsilama. In the states many dancers and musicians call the 1-2 1-2 1-2 1-2-3 variation Karsilama.
However we are playing another variation of 9/8. The accents are on the 1st, 3rd, 5th, 7th and 8th beats and the 9th beat is silent. This is the most common Turkish Roman (Gypsy) variation of 9/8. -
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Re: Funny Rehearsal
Wed, April 30, 2008 - 2:18 PMYou are playing Karsilama...actually two different ones mixed together. There are 14 different common Karsilama rhythms and a number of uncommn ones. -
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Re: Funny Rehearsal
Wed, April 30, 2008 - 2:33 PMTo head this off at the pass, nobody's right or wrong here. But if somebody from "over there" tells me something about what's "over there", I'm gonna cut her some slack.
:-)
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Re: Funny Rehearsal
Wed, April 30, 2008 - 2:44 PMHiya again! Just wanted to say that I'm not at all being confrontational or meaning to be aggressive etc; I do come off that way sometimes(!)
I just wanted to point out that you are playing Karsilama. If you look at, for instance, any Roman cassette and listen to the various Karsilamas listed(Trakya Karsilamasi, Roman Karsilamasi, Anadolu Karsilamasi, Edirne Karsilamasi, etc.), you will see a variety of "9/8" rhythms, including the ones in your video. If you take any lessons with Turkish darbuka professionals who play wedding music, they call any and every 9/8 Karsilama, and so do the Klarnet players. The most common Roman Karsilamasi is referred to as "duz(straight) Roman" or "agir(heavy) Roman"; that Karsilama with the two heavy dums: Dum Tek Dumtek Tek ka Tek ka Tek teka.
Just wanted to clarify that for folks out there who may not know... -
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Re: Funny Rehearsal
Wed, April 30, 2008 - 2:49 PMSo, in Turkey, "karsilama" is any type of 9/8 rhythm?
That's sorta like the celtic drummers, who for them call anything in 6/8 a "jig", unless it's real slow, and then sometimes they'll call it a waltz. -
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Re: Funny Rehearsal
Wed, April 30, 2008 - 2:58 PMWell, to say that in Turkey there is one way to look at anything is not a useful tool...but to the proffessional drummers and klarnet players that I've studied with, Roman and non, all of the commonly played "9/8s" are universally referred to as Karsilama. -
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Re: Funny Rehearsal
Wed, April 30, 2008 - 3:00 PMoh, by th way: ;:^)>
Totally light hearted and non-aggressive over here! ;:^)>
Heh... -
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Re: Funny Rehearsal
Wed, April 30, 2008 - 3:24 PMDid you get my PM? Tribe burped just as I sent it.
Light hearted is good, like Karsilamas.
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Re: Funny Rehearsal
Thu, May 1, 2008 - 12:32 AMI didn't think you were confrontational at all. From what I learned in Turkey ( with Folk Tours teachers Tayyar Arkdeniz and Bulent Kurtisoglu) Karsilama is a greeting dance that is in 9/8. But that doesn't mean that all 9/8 rhythms are called Karsilama. None of the Roman musicians at the festival referred to 9/8 as Karsilama, in fact they just call it Roman. Agir Roman is the heavy slow variety. Anyway, here in Israel we just refer to it as 9/8, this is always true :)
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Re: Funny Rehearsal
Wed, April 30, 2008 - 2:39 PMHeya Sophie,
You ever hear this one?
1-2-3-4-5-6-7-8-9-
D-T-D-tkT--kT---tk
If you cut and paste that into a word processor and change the font to courier, the characters will line up.
I heard/saw it on one of Reyhan's videos. -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 12:16 AMwell i don't know if this will be helpful, but everything i read from halil and sophie....is RIGHT! yes it's all too confusing isn't it? i've asked a ton of people, turks and non turks and everybody gives different answers. karşılama as a dance seems to have many different rhythms and time signatures depending on the region. when people use karşılama as the name of a rhythm, it almost always means a 9, but which one is anybodies guess !
karşılama:
1. meeting, greeting, reception, welcome.
2. folk music played or sung when meeting a bridal procession.
halil, i'd LOVE to see your '14' rhythms. i have examined and written down many different beats but have never heard of this '14' variations of 9/8.
todd, where on earth did you hear that one? never seen it before. it's pretty common except for that missing stroke on beat 8.
i like this one. i see selim seslers drummer, serkan, play it a lot.
~ = roll
_ = rest
1-2-3-4-5-6-7-8-9-
D ~ ~ T _ ~ ~ T tk -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 12:45 AMI just took a workshop on Karsilama at the World Rhythm Festival from Lara Triback (a delightful teacher) and she had dozens of variations. Some were 2-2-3-2, some were 3-2-2-2, some were 2-2-2-3, etc. -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 2:02 AMi'm so glad you enjoyed her workshop, Dave.
she is a good friend of mine and we have had several discussions - like above ; ) - about those rhythms you learned.
enjoy! -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 10:12 AMAre those your Karsilama variations she calls David's ROM variations? -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 1:20 PMyeah that'd be me, i didn't know i was listed on the worksheets though! nice that she included me. : )
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Re: Funny Rehearsal
Fri, May 2, 2008 - 12:33 PMHey! When I get to Istanbul, we can play as many variations as you can stand! This is my particular area, so I've got Karsilamas from all over. There are tons of variations that may fit into the same countig pattern, ut are their own distinct beat. There's one that's really common in Edirne-style Roman oyun havalari(because it works very well with the top-hand Cubuk, or stick with Darbuka) that really grooves! Plus we'll do the the backup patterns that the dohola player does that counter some of the harbi Trakya karsilamas; insanely grooving stuff.
There is always that confusion aout Karsilama because of the traditonal dances where the two lines face each other(thus, Karsilama, from Karsimak, meaning "to meet" or "to come faceto face"). The standard dance is "9/8", and generally is an anatolian thing...dum taka dum taka dum taka tak tak. Then you have all the other variations, mostly played by the Romanlar(who play all different forms of Turkish music). They probably spread the use of Karsilama for 9/8 rhythms...that's just a guess. Just about every Turkish keyboard has 9/8s of every kind. All called Karsilama, proably most of the keyboard guys are Roman too! ;:^)>
I live in Karsilama; if I couldplay only that, I would. The crooked dum/tek melody of a Karsilama tickles my bones.
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Re: Funny Rehearsal
Thu, May 1, 2008 - 12:42 AMAre there Reyhan's videos that I don't know of circulating around? I want them all!
Anyway, I can't be sure that I heard this specific variation, but of course I did hear the double doum (doums on 1 and 3) variation a lot and I love it. In fact I love all of the 9/8 variations, whatever they are :) -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 2:08 AMas far as i know, just this one:
www.youtube.com/watch
please read on the "turkish style" tribe about reyhans current problems with the city destroying their home and thousands of others.
tribes.tribe.net/turkishst...3eddf94591 -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 5:37 AMDavid, that is my translation of the beat in Reyhan's video you posted. It's in the last half. That's what I think I heard, anyway. Maybe I invented it out of what I heard and it's not what the drummer is playing. But I like it!
I found out about the Istanbul Romani plight from the Zafira tribe. It was Maria who posted the link to Reyhan's video out of the Turkish style tribe in Zafira.
Romani music and Romani derived music, and Romani dance, are becoming huge among the tribal fusion dancers here in the States. Romani groups such as Devotchka and Gogol Bordello are all the rage.
It has an intense emotional quality that is very attractive. -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 7:32 AMYo Todd, well i listened again and didn't hear that beat specifically but he does a lot of messin' around. if there was a time mark maybe that would be easier.
"It has an intense emotional quality that is very attractive. "
absolutely. yes. there are several of us yabancı (foreigners) who are in Istanbul working on this stuff. it is addicting. my band plays a number of roman tunes and i could seriously like go hours i think, it's so trancy, yet musically brilliant . glad more people in the states are getting into it. hopefully i'll have someone to play with when i get back!
i don't know Maria. does she come here to study? it's great that people are passing the info around. also, a shout out should go to our friend here in Istanbul who wrote the original letter asking for help, her name is Ferda Bayazit and has been studying with Reyhan for several years. Thanks Ferda! www.ferda.ca -
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Re: Funny Rehearsal
Thu, May 1, 2008 - 8:14 AMI'm not sure when the time interval for that beat is. I have good ears that can pick out things from a mess of sounds. Well, all but afro-cuban rhythms. I just don't "get" those.
I'll send you an invite to the Zafira Dance Company's Tribe. I think Maria has studied all over. I admire these ladies greatly. I cry every time I see Maria and Olivia dance together. They are "soul mates".
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